BiblioVault - Books about South Africa

Kingdom Come

The Politics of Faith and Freedom in Segregationist South Africa and Beyond

Tshepo Masango Chéry

Duke University Press, 2023

In Kingdom Come, Tshepo Masango Chéry charts a new genealogy of early twentieth-century Black Christian activists who challenged racism in South Africa before the solidification of apartheid by using faith as a strategy against global racism. Masango Chéry traces this Black freedom struggle and the ways that South African church leaders defied colonial domination by creating, in solidarity with Black Christians worldwide, Black-controlled religious institutions that were geared toward their liberation. She demonstrates how Black Christians positioned the church as a site of political resistance and centered specifically African visions of freedom in their organizing. Drawing on archival research spanning South Africa, Zimbabwe, Kenya, the United Kingdom, and the United States, Masango Chéry tells a global story of the twentieth century that illuminates the formations of racial identity, state control, and religious belief. Masango Chéry’s recentering of South Africa in the history of worldwide Black liberation changes understandings of spiritual and intellectual routes of dissemination throughout the diaspora.

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The Kruger Experience

Ecology And Management Of Savanna Heterogeneity

Edited by Johan T. du Toit, Kevin H. Rogers, and Harry C. Biggs

Island Press, 2003

Kruger National Park in South Africa has one of the most extensive sets of records of any protected area in the world, and throughout its history has supported connections between science and management. In recognition of that long-standing tradition comes The Kruger Experience, the first book to synthesize/summarize a century of ecological research and management in two million hectares of African savanna.

The Kruger Experience places the scientific and management experience in Kruger within the framework of modern ecological theory and its practical applications. The book uses a cross-cutting theme of ecological heterogeneity -- the idea that ecological systems function across a full hierarchy of physical and biological components, processes, and scales, in a dynamic space-time mosaic. Contributors, who include many esteemed ecologists who have worked in Kruger in recent years, examine a range of topics covering broad taxonomic groupings and ecological processes. The book's four sections explore:

the historical context of research and management in Kruger, the theme of heterogeneity, and the current philosophy in Kruger for linking science with management
the template of natural components and processes, as influenced by management, that determine the present state of the Kruger ecosystem
how species interact within the ecosystem to generate further heterogeneity across space and time
humans as key components of savanna ecosystems

In addition to the editors, contributors include William J. Bond, Jane Lubchenco, David Mabunda, Michael G.L. ("Gus") Mills, Robert J. Naiman, Norman Owen-Smith, Steward T.A. Pickett, Stuart L. Pimm, and Rober J. Scholes.

The book is an invaluable new resource for scientists and managers involved with large, conserved ecosystems as well as for conservation practitioners and others with interests in adaptive management, the societal context of conservation, links between research and management in parks, and parks/academic partnerships.

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Kwaito Bodies

Remastering Space and Subjectivity in Post-Apartheid South Africa

Xavier Livermon

Duke University Press, 2020

In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways in which these legacies reverberate between cosmopolitan Johannesburg and the diaspora. In foregrounding this dynamic, Livermon demonstrates that kwaito culture operates as a site for understanding the triumphs, challenges, and politics of post-apartheid South Africa.

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Kwaito's Promise

Music and the Aesthetics of Freedom in South Africa

Gavin Steingo

University of Chicago Press, 2016

In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country’s urban black youth developed kwaito—a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today—who face high unemployment, extreme inequality, and widespread crime—Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa’s crucial social and political problems by, in fact, seeming to ignore them.

Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren’t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that “music is always political,” Steingo elucidates a music that thrives on its radically ambiguous relationship with politics, power, and the state.

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